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Native Instruments Introduces DEEP FREQ

by Jesse JJ Jame
published Wed, 19 May 2010 – 17:41:02 +0000 UTC
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Berlin, Germany /Music Industry Newswire/ — Native Instruments today introduced DEEP FREQ, a powerful effects processing suite for use with KORE 2 and the free KORE PLAYER. Complementing the acclaimed DEEP RECONSTRUCTIONS and DEEP TRANSFORMATIONS packages, DEEP FREQ focuses on intense and intricate frequency manipulation to transform audio material in innovative and inspiring ways.

Created by expert sound designer and producer Denis Gökdag, DEEP FREQ provides 150 sophisticated multi-effect combinations based on the powerful sound processing engines of ABSYNTH, GUITAR RIG and REAKTOR integrated in KORE. Through complex combinations of filters, resonators, frequency shifting, resynthesis, granular synthesis and other advanced algorithms, DEEP FREQ can fundamentally alter and reshape the tonality of beats, melody lines, vocals and any other audio material with spectacular and unconventional results.

Despite the complexity of the underlying effect configurations, the operation of DEEP FREQ is entirely straightforward due to the KORE user interface. The unified parameter mapping within KORE 2 and KORE PLAYER gives immediate, intuitive control over the sonic characteristics of the effects, making DEEP FREQ an especially efficient and immediate sound shaping tool for musicians, producers and DJs.

DEEP FREQ available for download purchase in the NI Online Shop for $79/69 EUR.

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About The Author / Editor:


JJ Jame is a percussionist and home-brew theremin player, formerly a member of the Redondo Beach based BoyRacer.com electronica band, and a long-time electronic music fan, as well as formerly an editor for the defunct EMcult website that Christopher Simmons launched in 1997 but soon abandoned (in many ways this site, MIN, is the stepchild of that project). JJ wants high-speed rail to criss-cross California sooner than later, and is madly in love with local Fox 11 TV personality Lauren Sanchez.

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Permalink:   http://musicindustrynewswire.com/2010/05/19/min3017_174102.php

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