Native Instruments announces Reverb Classics, two premium-quality algorithmic reverbs inspired by renowned studio hardware

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REVERB CLASSICS

BERLIN, Germany /Music Industry Newswire/ — Even though Native Instruments no longer attends NAMM to showcase new products, they can still time their news for the show. Native Instruments this week launched REVERB CLASSICS – two premium-quality algorithmic reverbs inspired by renowned studio hardware. While each effect has its own distinct sound, both provide a rich, harmonic character that adds dimension and depth to any source.

A first-of-its-kind display provides visual feedback to monitor the effect’s output in real time – a powerful feature for quickly shaping the effect with ease and precision. The REVERB CLASSICS were created in cooperation with Softube, the acclaimed Swedish company renowned for their painstakingly accurate emulations of audio hardware.

The REVERB CLASSICS faithfully recreate two renowned algorithmic reverb units that rose to prominence in the 1980s and 1990s. Each has been featured on countless studio recordings and is a standard effect in top studios around the world. The RC 24 provides a rich, dark, and instantly identifiable sound suitable for anything from subtle widening to dramatic sound design. The RC 48, while sharing some similarities, sounds richer, lush, and somewhat brighter by comparison.

The most striking feature of the REVERB CLASSICS is the prominent graphical display, which takes up roughly half of the interface. This display effectively visualizes the shape and depth of the reverb, as well as the decay of the reverb tail. The display immediately reacts to parameter adjustments, allowing users to visually monitor the effect in real time, and providing a new approach to reverb design.

The RC 24 is inspired by one of the first digital studio reverbs to gain wide popularity in recording studios around the world. Featuring Large Hall, Small Hall, and Room reverb algorithms, the distinctive sound of 12-bit A/D converters provides a unique quality that cuts through dense mixes with a unique presence. The RC 24 is equally useful on acoustic and electronic sounds for adding rich dimension, texture, and space while still preserving the original harmonics of a sound. Pushed to extreme settings, it can be used as a creative sound design tool, transforming relatively simple sounds into metallic percussive textures, dense, drone-like pads, or anything in between.

The RC 48 delivers two hall algorithms inspired by a classic studio reverb heard on numerous gold and platinum recordings, as well as game, TV, and film soundtracks. The RC 48 delivers lush, musical reverb renowned for the depth it gives to vocals and acoustic instruments. A wide variety of versatile textures can be achieved through adjusting the Diffusion and Spread controls, while an additional Effect option on the Size fader allows users to create interesting new modulation effects. The Random Hall algorithm also features Spin and Wander controls, providing random movement with lively, natural tails.

All three effects run as VST, AU, or AAX plug-ins inside all popular host sequencers. A free demo of each effect is available from the Native Instruments website.

The REVERB CLASSICS bundle is available at the NI Online Shop for $199 / 199 EUR. The individual effects are also available separately: RC 24 $149 / 149 EUR, RC 48 $149 / 149 EUR.

Additional information on the REVERB CLASSICS is available at:
www.native-instruments.com/reverbclassics

About Native Instruments:

Native Instruments is a leading manufacturer of software and hardware for computer-based music production and DJing. The company’s mission is to develop innovative, fully integrated solutions for all professions, styles and genres. The resulting products regularly push technological boundaries and open up new creative horizons for professionals and amateurs alike.

About Christopher Simmons

Christopher Simmons has been writing about music since 1984 when he sold his first feature to Polyphony (now Electronic Musician) magazine. He has composed music for two TV cable shows, is a member of ASCAP and PRSA, and is the managing editor for Music Industry Newswire(TM), as well as the CEO of Neotrope(R) Entertainment. His 80s music can be found on iTunes, Amazon, and CDBaby, among others. He played in several electronica bands in the '80s, and currently tries to find time to play with his studio gear. He is also an award winning graphic designer, photographer, author of one book "Fractopia," and has created digital art for numerous national magazines. © Christopher Laird Simmons. More at: ChristopherSimmons.com .

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